I’m not one to encourage the use of bulleted items, but let’s face it, many PowerPoint presentations are nothing but slide after slide of bulleted items. If, therefore, you are faced with the task of changing the bullet style on some or all slides in a presentation, here’s how. (Remember, if you make this change on the Slide Master it will automatically change all bullets on all slides in your presentation. If you make it in normal view, it will only affect the slide on which you are working).
If you wish to change the style on one on a single slide, select the text of all of the items, right-click your selection, hover over Bullets on the context menu and, if you want to use one of the standard, presets on the fold-out menu, click it.
If you want another bullet style, click Bullets and Numbering… Here is the resulting dialog box.
Note that you can change the size, relative to your presentation’s text size, and change the color of whatever bullet you choose. Picture… allows you to search your file system, office.com, bing, or your skydrive for a pre-saved bullet. Using picture bullets is usually not a good idea because they can sometimes cause spacing problems. Finally, Customize… brings up a symbol selection dialog. Change to the font set from which you wish to choose, and choose the character you want to be the new bullet style.
If you wish to change the bullet style for your entire presentation, and not just on a single slide, follow the procedure outlined above on the Slide Master (View < Slide Master).
An advanced form of text editing in PowerPoint is called WordArt. Some truly spectacular textual effects can be achieved with WordArt, while the text retains its characteristics as text (can be spell checked, font sizes can be changed, case can be changed, new text inserted, etc.). Nevertheless, these effects don’t have much of a place in a well designed, professional presentation. They should be used sparingly, and only for special emphasis. This post will in brief review where the WordArt settings and controls can be found and applied. We will get to a discussion of shape effects—which are the same effects applied to shapes, rather than text—in a later post.
To apply text effects, begin by selecting the text you wish to modify. WordArt can be applied to text in placeholders, in textboxes, on shapes, and on SmartArt. When you select the text a Drawing Tools tab will appear above the ribbon, with a Format tab beneath it. Click the format tab to reveal the WordArt Styles group.
Note that for text on SmartArt a SmartArt Tools tab appears, rather than a Drawing Tools tab, but it has a Format sub-tab that contains the WordArt Styles.
Click the More drop-down to see the WordArt gallery. It contains 20 presets, each featuring a different theme color and set of effects. The color of the presets in the gallery will vary by theme, of course, but they will be the same basic styles. Hovering over each preset will be live previewed in the selected text.
If you wish greater control over your WordArt style, use the Text Fill, Text Outline, and Text Effects drop-downs to the right of the WordArt gallery, and for maximum control, click the dialog launcher, or click the Options button on each Text Effects command, to open the Format Shape pane, where virtually all characteristics of the WordArt style can be controlled (except for Transform effects, which can only be accessed from the Text Effects drop-down).
Tools to fill text and outline text are basic and easily understood. The tools to apply text effects are more complex and require some trial and error to use effectively. Let me repeat that WordArt ought to be used sparingly, and only for important emphasis. It is easy to waste a lot of time monkeying around with text effects that will be lost on your audience. Clarity, impact and legibility ought to be your goals when constructing presentation slides, and too many strange effects (my personal pet peeve is the reflection effect) can detract from your message.
In any event, watch this brief video to see a demo of WordArt styles.
A search on World War II (world war ii, world war 2, ww2, etc.) at the app store will yield scores of apps over several app categories, only two of which, in my opinion, are worthwhile.
First the categories: By far the category leader is games. You will find game titles like “World Conqueror,” “Little Commander,” “Fighter Pilot Killer Air Combat,” “World War 2 Assault,” “Commando Global Assassin,” and on and on. Stop wasting time and money on this nonsense. Sit down with your kids and explain why war, and especially this cataclysmic war that cost the lives of over 60,000,000 people, is not a game. After recently completing Rick Atkinson’s Liberation trilogy, I have been reawakened to this truth.
A second, less prominent category is the infotainment app that poses as free, but is really just a leader to guide you into in-app purchases. Many titles by TuAbogado publishers seem to fall in this category (“World War II, 1939-45 Lite,” “World War II Special 2.0,” “Great World War II Songs,” and so on). You can’t blame them for trying, and with these apps (if you wish to clutter up your iPad with them) will give you a taste of War reference materials but want to charge you for more. It is not a marketing ploy that I favor, and having sampled some of these apps the quality does not seem to merit the purchase. You may disagree.
A third category of app is aimed at the military history hobbyist: “World War II Posters,” Aircraft of World War II,” World War II Warships Bible,” “WW2 Weapons,” etc. The appeal of these is narrow, of course, and has more to do with stamp collecting than the war.
A fourth category is books and/or reference. These are the ones in my opinion are generally worthwhile. I found several audiobooks from Blackstone Audio, priced at $9.99, which a student of the war would want to own: Shirer The Rise and Fall of the Third Reich, Winters’ Beyond Band of Brothers, interestingly C. S. Lewis’ war sermons The Weight of Glory, Axelrod’s Patton, and several others, all priced at $9.99. Then again, if you are a student of the war you probably already own and have read (or listened to) these volumes.
What the iPad uniquely brings to the study of the war is a multimedia overview that facilitates comprehension of the grand movement of the war, with exemplary drill-downs. I found two apps that fit this description, one good World War II Interactive ($4.99), and one even better, Timeline WW2 with Robert MacNeil ($13.99).
World War II Interactive
The app’s table of contents scrolls across the bottom of the screen, and is divided into nine major sections:
Roots of the War
The War Erupts
The War Spreads
Axis Advance Stalls
The Tide Turns
The Axis in Retreat
Victory for Allies
Each major section is broken into a number of sub-sections. The War Erupts, for example, contains the sub-heads:
Invasion of Poland
Battle of the Atlantic
with Events, Timeline and Map views:
Each of these sub-heads, when entered, contains a fact column (When, Where, Who, Result); an introductory text containing links to prominent facts or personages, which in turn pop-up info-boxes about the event or personage (Winter War, for example, contains links to Joseph Stalin and the Moscow Peace Treaty); and some embedded multimedia, mostly vintage photos but some containing video or audio.
The text is all licensed via Wikipedia and the multimedia all seems to be creative commons or public domain, much from Wikipedia, but some from other sources, like Library of Congress or Russian and German libraries.
What’s good about it is the succinct introduction, with graphics, to the events of the war. It would be a great introduction for war history novices.
What’s bad about it is that the text and images cannot be enlarged, and therefore presents barriers to adpative needs users. The level is, as I say, elementary, but that is probably a virtue when introducing someone to the history of the war.
Timeline World War 2 with Robert MacNeil
The level of detail and amount of content in this app puts the other to shame. It costs nearly three times as much, but that’s still only $13.99. Come on, you probably spend more than that at Starbucks on the way in to work. What makes it truly valuable is the large amount of video content packaged in this elegant interface, which contain the original soundtracks and new, interpretive soundtracks recorded by MacNeil. I would take the space to describe it all, but the app producers have already done so with this really helpful video by Robert Macneil. Watch.
While no space is allocated to the roots of the war or the aftermath contexts, as in the app described above (we begin on September 1, 1939 with the invasion of Poland and end on September 2, 1945 with the surrender of Japan) the stunning level of detail between the two events makes up for it, not to mention the ability to filter on various topics (Battles, Key Events, Location, Mode of War, Nationality, etc.) and a truly useful interactive map.
All multimedia can be played full screen, or photos can all be pinch enlarged, as can the maps. Text on individual documents cannot be enlarged, but most of it is very legible (except to the vision impaired) because it is usually presented as fixed font courier type, as if rendered on a period Underwood typewriter (Young people: a typewriter was similar to our current day keyboards, having a more or less similar keypad layout, but when you pressed a key a mechanical metal typeface on a hinged arm ascended to strike an inked ribbon and left the impression of a letter of the alphabet or special symbol on paper. Yes, I know. There were actually jobs for people who did nothing but type. They were called typists, and a group was called a typing pool).
Text is also presented in many cases as telegrams with map links. (Young people: don’t ask. The last telegram ever will be sent next month in India. Read this for more).
I especially like the alternate narratives for the many videos. The original is extraordinarily valuable, and then the MacNeil narrative adds historical perspective.
In fact, since this app is timeline and document based, the MacNeil narratives help to give it a larger consistency than it would otherwise have.
The maps are useful, but they are all geo-political maps that do not contain topographic features. In war, rivers, mountains, ravines, and roads are all important, and there is not a hint of those on the maps. Integration with Google Earth, or supplying topographic details would be very useful. Nevertheless, because of the enormous detail, and great multimedia effects, this app is a jewel for the price.
As mentioned in previous posts, if you are going to edit text in a PowerPoint presentation, it is better that the editing be done on the slide master, so that 1) your edits will propagate through the entire presentation. Sometimes this is just not possible, especially with reference to text in text boxes. You may want to color a single word in a text box differently than the rest of the words, or bold or underline a word, or expand character spacing for a group of words, or whatever the case may be. This post discusses these basic text edits, which are common Word text formatting tasks also. It is important to remember that any text editing you do on slides will override the placeholder settings of your design theme, and will not change when you change themes or change the slide master.
When text is selected, the Font group on the Home tab is activated (it “lights up”) and the Drawing Tools tab appears. The Drawing Tools are for more advanced text editing. In this post we will concentrate on the basic edits available in the Font group on the Home tab.
I have discussed basic font manipulation in another post. I would repeat my warning here NOT to use whimsical, novelty, romantic, cursive, gothic, or otherwise weird fonts in your presentations. There are always exceptions, of course, but at least think twice before putting a relatively illegible font on a slide. If you stick with the font theme that is part of your PowerPoint 2013 design theme you will be doing well. If you need to change font family or size, however, you can find a list of all the fonts installed on your system in the font drop-down in the Font group. In working with different fonts, though, remember that the set of fonts installed on computers is usually somewhat (sometimes radically) different, so sticking with basics is better to insure consistency if you develop a presentation on one computer but present it on another. As long as you are using TrueType fonts (those that show up in your Control Panel Font tool) you can also embed them, to be sure they will be available to your presentation.
Font size is measured in points—in the illustration above Century Gothic 54 pt. is selected. A point is approximately 1/72nd of an inch, though the actual size of a point varies depending on the font being used. The font size up and down controls will increase or decrease the font size by preset intervals, or you can simply type a new font size in the font size box. This is the only way to create really large fonts, which are useful in certain animation effects.
The Clear Formatting command can be very useful if you have been doing experiments with text effects and get things in a hash. Just select your text, click Clear Formatting, and you are back to your design theme setting.
Basic text effects formatting needs little discussion. Bold, Italics, Underline and Shadow and Strike Through are all self evident. Just select the text and click the effect button to apply it. If you find an effect you think is especially effective—adding a shadow to white text can make it stand out and increase legibility, for example—make the edit on the slide master rather than on the actual slide, so that it will be applied to all placeholder text. If you want a consistent effect on text box text, edit the text in an existing text box and then make it the default for future text boxes (existing text boxes will not be affected, so you will need to use the format painter to quickly change them).
The character spacing control allows modification of the space between letters.
Here is a table of samples using the various character spacing drop-down presets on the Century Gothic font used in our sample presentation. The font you use will affect the appearance of various character spacings, of course.
Clicking “More Spacing…” at the bottom of the character spacing drop-down opens the character spacing dialog, where any desired setting can be configured.
The case control drop-down allows for conversion from one case to another, an extremely useful tool if you have pasted text that is all upper case, or needs to be all uppercase, etc.
Understanding color is critical to designing presentations that can be easily modified. The font color drop-down allows for selecting from one of 10 theme colors (there are officially 12 theme colors, but 2, the ones used for hyperlinks and visited hyperlinks, are not shown in this drop down); or 50 shade variations on the theme colors. As long as you change your text font to one of these colors, they will change to the colors of a new design theme is you apply one. If you pick from the Standard Colors, however, or from the More Colors… options, they will not change with design theme.
Each design theme has its own color theme, which can be changed using the Color selector on the Slide Master view (or under the Variant gallery on the Design tab).
Changing the color theme will change the theme color selections you may make, of course, from the font color drop-down. Clicking “Customize Colors…” on the theme color drop-down permits editing of any/all of the theme colors and/or creating your own re-usable color theme.
New with PowerPoint 2013 is an eye dropper tool which will allow you to “pick up” any color on your slide and make it the new font color. This is most useful when you have place a photo or piece of art work on the slide, and want to add a color coordinated label or call out.
The Font Dialog Box
Most of the fine-tuning controls in PowerPoint 2013 have been moved to panes, which appear on the right of your screen when needed, but not so font fine-tuning controls. Clicking the dialog launcher at the bottom right of the Font group will open an old fashioned Font dialog box, giving you access to even more font choices.
The variations available from this dialog box are fairly self explanatory. “Offset” refers to the amount of offset a superscript of subscript will have. “Small Caps” is a popular options, and elaborate underline styles are also a popular use of this control.
These, in sum, are your basic font editing tools. It is worth repeating that keeping font editing on slides to a minimum will make for more consistent design and easier changes to your presentations down the road. If you need to edit fonts it is better to do so on slide masters, or default versions of text boxes and drawn shapes, rather than on specific instances of text. Once you edit a specific instance of text on a slide, the new formatting will override your design theme settings (which are really “placeholder” settings, and not actual settings, of course). If you then change a setting on the slide master, individual settings on specific slides will not change.
To wrap up our discussion of fonts, let’s try to decide whether we should embed fonts within our presentation when we save. You may want to present on another computer than the one you used to develop the PowerPoint presentation, and each computer’s font set may be different. To be sure you will have the correct fonts so that your presentation will look as expected on another computer, embedding may be necessary. Before launching into the discussion, however, you need to know that you can only embed TrueType fonts in a PowerPoint presentation (.ttf) and that embedded fonts in a Windows version of PowerPoint will not work on a Mac version. A thorough discussion of this topic can be found here.
The option to embed fonts found on the File tab, Options group, Save group. You have the choice to embed either the specific font characters used in your presentation, or all characters, in case you need to edit on a computer that does not have the font.
Let’s open a presentation and find out what effect embedding the fonts has. Here is a screenshot from the Windows Explorer showing the file size of our basic presentation, without embedded fonts, 935KB.
Now let’s save the file with embedded fonts, choosing “embed all characters” and check the file size. (The fonts referred to are only the Century Gothic font used by the Ion theme for this particular presentation.
Quite a change; an additional 1822 KB to embed the theme font.
What if we add another font to the presentation. I will edit the presentation, and change one of the text boxes to use Algerian font, and then save with fonts embedded, choosing to embed all characters. Here are the results.
Very little change this time, only 42 KB more. Algerian contains only regular characters with few variations.
Does this mean that for each additional font I embed, I will only incur a small file size gain? Let’s tray a different font. Instead of Algerian let’s try an Adobe Open Type Font called Adobe Gothic STD B. (Note: in the font drop-down list you will see an O next to Adobe OpenType fonts, but the font will only be embeddable if it is a TrueType font developed in cooperation with Microsoft. Pure .otf files will not embed). Here is the result.
This time we see an enormous jump, akin to the jump when we first embedded our theme fonts. Why? Because the font is extensive. Not all fonts are created equally. Some contain glyphs, ligatures and other variations that others simply do not have. Some Asian fonts are truly enormous. On my system I have TrueType fonts, from my initial Windows 8 install, my Office 2013 install (among other Windows programs); I have TrueType Adobe OpenType fonts (.ttf) and I also have non-TrueType Adobe Open Type fonts (.otf) from the installation of various Adobe products; I have PostScript fonts from the installation of yet other Adobe products; and I have yet other system fonts and purchased fonts. Remember that PowerPoint can only embed TrueType fonts, and that not all TrueType fonts will successfully embed. It depends on the licensing restrictions placed on the font, of which you will usually be unaware.
In the case of some fonts you will be warned that it will not embed.
Unfortunately, PowerPoint does not always inform you that a font will not embed or completely embed a font. Even some TrueType fonts will not embed, once again, because of licensing restrictions. It is usually worth embedding fonts, just to be sure spacing and layout will remain consistent regardless of the computer you are presenting on (assuming it is a PC and not a Mac).
Here is a practical tip that can help you redeem a presentation when someone (not you, of course) has used an outlandish font in text boxes or even in bulleted lists. Remember, your goal in placing words on a PowerPoint slide is to communicate a point, and to do so the text you use must be legible. Therefore, weird, hard-to-read fonts should be avoided at all costs. Unfortunately, humans being what they are, many people seem drawn to cursive, fantasy, gothic, or otherwise nearly illegible fonts. PowerPoint provides a quick remedy for this, however. It’s called the Replace Font command.
Let’s say you have inherited a presentation that contains a number of text boxes that use a cursive font, like this:
The original author has compounded the problem by using yet another outlandish Old English Gothic font for a bulleted list, and Algerian in yet another text box.
Do you need to go through this entire presentation and reformat all these text boxes and lists to use the normal font theme? No. Here’s what you do.
On the Home tab, in the editing group, click the drop-down for Replace and select Replace Fonts…
A Replace Font dialog box will appear. The Replace drop-down will contain ONLY the fonts used in the current presentation, making it easy to spot the culprits.
The With drop-down contains all the fonts available on your system. What you want to replace the offending fonts with is the font used by the font theme in the design theme you have chosen for your presentation. In this case, I have chosen the Ion theme, which uses the Century Gothic font set. So to get rid of those horrible cursive text boxes, I choose to replace Brush Script Std with Century Gothic, the pleasing sans serif font used by my design theme.
PowerPoint responds by running through the ENTIRE presentation, replacing Brush Script with Century Gothic. Font sizes remain the same.
Now repeat the process for Old English Text MT, and Algerian.
Easy. Done in just a few clicks rather than laboriously searching through the presentation and reformatting each instance of an illegible font.
Here is a video that demonstrates the technique.
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