Dead Mans Cell Phone
March 1 – 10
Dead man’s Cell Phone
by Sarah Ruhl
An incessantly ringing cell phone in a quiet café. A stranger at the next table who has had enough. And a dead man—with a lot of loose ends. So begins Dead Man’s Cell Phone, a wildly imaginative new comedy by playwright Sarah Ruhl, recipient of a MacArthur “Genius” Grant and Pulitzer Prize finalist for her play The Clean House. A work about how we memorialize the dead—and how that remembering changes us—it is the odyssey of a woman forced to confront her own assumptions about morality, redemption, and the need to connect in a technologically obsessed world.
Directed by Patrick Larmer
Fridays, Saturdays 8pm; Sundays, 5pm; Thursday, 4pm
Performance Lab D-10, Palomar College, San Marcos campus
$12 General, $10 Seniors and Staff, $8 Students
March 8th, 6-6:50pm Room D-5
Cellular Communication, Talking in the 21st Century: how the cell phone has effected our ability to think and to communicate.
Panelists: Chris Sinnott (faculty, Theatre & moderator), Pat Larmer (faculty, Theatre & director), TBA (faculty, CSIS), TBA (faculty, Child Development)
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How do you define marriage? What makes it sacred? If marriage = a loving couple committing to each other for the rest of their lives, who else should be part of the equation? Some people believe a marriage is only valid if done in church by a priest, while others are content to be legally married in a courthouse. Some couples want to have a ceremony to involve all the people they love as witnesses of the solidifying of their union. Some couples already feel committed to their bond but want the law to acknowledge their bond for tax, insurance,...
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Palomar Coffee Talks invites teachers and students to participate in this integrative learning project. Pablo Picasso famously described art as, “A lie that reveals the truth.” We offer performances and public gatherings that provide an occasion to analyze aspects of our society and the human condition from the multiple perspectives provided by differing academic disciplines. For the Fall of 2015, we are focusing on two questions raised by Bertolt Brecht’s provocative play THE GOOD PERSON OF SETZUAN: What does it mean to be a...
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